{"id":222,"date":"2013-04-24T19:30:11","date_gmt":"2013-04-24T23:30:11","guid":{"rendered":"http:\/\/ryancanhelpyou.com\/exhibitioncritique\/?p=222"},"modified":"2013-04-24T19:34:25","modified_gmt":"2013-04-24T23:34:25","slug":"art-exhibitions-in-the-digital-age","status":"publish","type":"post","link":"https:\/\/ryancanhelpyou.com\/exhibitioncritique\/art-exhibitions-in-the-digital-age\/","title":{"rendered":"Art Exhibitions in the Digital Age"},"content":{"rendered":"<p>Corcoran alumna, Ariel Wilchek, has launched an insightful blog focusing in on temporary exhibitions and the changing world of museums. Witfully entitled, <a href=\"http:\/\/www.popupbliss.com\/blog\/\">Pop-up Bliss: The Joy of Impermanence<\/a>, she delves into the way architecture, environmental graphics, installation design, and more are evolving their methods of storytelling and visitor relation. Wilchek recently posted an article that cleverly answers a question on my mind lately:\u00a0People talk about exhibits long after they have closed &#8212; is there any value in an exhibit that can&#8217;t be visited?<\/p>\n<p>Read her post, <a href=\"http:\/\/www.popupbliss.com\/blog\/2013\/04\/art-exhibitions-in-the-digital-age.html\">Art Exhibitions in the Digital Age<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Corcoran alumna, Ariel Wilchek, has launched an insightful blog focusing in on temporary exhibitions and the changing world of museums. Witfully entitled, Pop-up Bliss: The Joy of Impermanence, she delves into the way architecture, environmental graphics, installation design, and more&#8230;<\/p>\n","protected":false},"author":1,"featured_media":223,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"spay_email":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false},"categories":[8],"tags":[],"jetpack_featured_media_url":"https:\/\/ryancanhelpyou.com\/exhibitioncritique\/wp-content\/uploads\/ariel.jpg","jetpack_publicize_connections":[],"jetpack_shortlink":"https:\/\/wp.me\/p3h0fC-3A","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/ryancanhelpyou.com\/exhibitioncritique\/wp-json\/wp\/v2\/posts\/222"}],"collection":[{"href":"https:\/\/ryancanhelpyou.com\/exhibitioncritique\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ryancanhelpyou.com\/exhibitioncritique\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ryancanhelpyou.com\/exhibitioncritique\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ryancanhelpyou.com\/exhibitioncritique\/wp-json\/wp\/v2\/comments?post=222"}],"version-history":[{"count":3,"href":"https:\/\/ryancanhelpyou.com\/exhibitioncritique\/wp-json\/wp\/v2\/posts\/222\/revisions"}],"predecessor-version":[{"id":226,"href":"https:\/\/ryancanhelpyou.com\/exhibitioncritique\/wp-json\/wp\/v2\/posts\/222\/revisions\/226"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/ryancanhelpyou.com\/exhibitioncritique\/wp-json\/wp\/v2\/media\/223"}],"wp:attachment":[{"href":"https:\/\/ryancanhelpyou.com\/exhibitioncritique\/wp-json\/wp\/v2\/media?parent=222"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ryancanhelpyou.com\/exhibitioncritique\/wp-json\/wp\/v2\/categories?post=222"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ryancanhelpyou.com\/exhibitioncritique\/wp-json\/wp\/v2\/tags?post=222"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}